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Four stories from Edgar Allan Poe are told in the form of a staged radio drama. The prisoners of Leverett Street Jail, Death Warrant Division, await their fates as three of the doomed souls tell their stories, and we enter the mind of a fourth. The Caretaker insists that, although she has murdered the old man she was caring for, chopped him up and buried him under the floor, she is not mad. In fact, she says, she loved the old man. We segue into the night the deed was done and witness the murder and the concealment of the old man's body. It is his unnerving, staring eye she seeks to murder, but it is his Tell Tale Heart that eventually leads to the discovery of her crime. Montresor tells of luring Fortunato away from carnival and into the wine cellar with the promise of sampling from a Cask of Amontillado. He proffers the notion that by walling Fortunato up to die, he has done a service to humanity, thereby amputating "a diseased portion from the body human." In the third tale, we enter the mind of the catatonic Poet, who has witnessed the death of his lover or has, perhaps, been responsible for it. After the memorial service, the Poet is visited by guilt … and The Raven. Finally, Bedloe, who has buried an axe in his wife's skull and hidden her in the cellar, is brought to justice by The Black Cat.

Based on the beloved 1946 film, this musical faithfully follows George Bailey’s life from his childhood dreams to his midlife disappointments and beyond, as we all take a journey to discover whether his life has mattered at all. Cinematically scored and theatrically staged, this adaptation breathes musical life into a familiar story, while retaining the warmth, humor, and pathos of the original. A new holiday classic for devotees and newcomers alike.

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It’s a Wonderful Life is based on the story, The Greatest Gift by Philip Van Doren Stern.

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Previous Productions

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Visit Truvy’s beauty salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoos and free advice to the town’s rich curmudgeon, Ouiser, ("I’m not crazy, I’ve just been in a bad mood for forty years"); an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.” 

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Filled with hilarious repartee and not a few acerbic but humorously revealing verbal collisions, the play moves toward tragedy when, in the second act, the spunky Shelby, who is a diabetic,  risks pregnancy and forfeits her life. 

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The sudden realization of their mortality affects the others, but also draws on the underlying strength—and love—which give the play, and its characters, the special quality to make them truly touching, funny and marvelously amiable company in good times and bad.
 

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The Children's Literature Association named this "the best American children's book of the past two hundred years," and Joseph Robinette, working with the advice of E.B. White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. 

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All the enchanting characters are here: Wilbur, the irresistible young pig who desperately wants to avoid the butcher; Fern, a girl who understands what animals say to each other; Templeton, the gluttonous rat who can occasionally be talked into a good deed; the Zuckerman family; the Arables; and, most of all, the extraordinary spider, Charlotte, who proves to be “a true friend and a good writer.” 

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Determined to save Wilbur, Charlotte begins her campaign with the "miracle" of her web in which she writes, "Some pig." It's the beginning of a victorious campaign which ultimately ends with the now-safe Wilbur doing what is most important to Charlotte.
 

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Based on folklore, The Headless Horseman of Sleepy Hollow revolves around school teacher Ichabod Crane who competes against Brom Bones, a local prankster farmer, for the hand of Katrina Van Tassel. One night, after a party, Crane heads home only to be followed by what he thinks is the legend of Sleepy Hollow, the Headless Horseman. The horseman throws an object at Crane, which knocks him off his horse. The next day, the townspeople look for Crane but cannot find him; all they find is a smashed pumpkin where Crane's hat lies.

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